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Are We Just People video released

When Robin saw a picture of Maxi Priest visiting a friends house in Jamaica he joked – “What a great place for a video shoot”. Whilst the restrictions of lockdown meant filming together was impossible, Robin’s idea was brought to life with some clever ‘digital conjouring’ by video director Ben Milner (Brian May, Bastille, Disclosure and Rudimental) on the retro blues funk single ‘Are We Just People’.

Whilst Maxi Priest pours his heart out reflected in a beautiful ornamental pond at a summer house in Jamaica, his collaborators Robin Trower and Livingstone Brown appear reflected in the still calm water.

Robin Trower said: “A video devised apart, yet bringing us closer in music.”

Maxi Priest said: “What a fabulous experience it was filming the video for ‘Are We Just People’. The location was my friend Wayne Jobson’s house in New Ground, Limehall, St. Ann’s Bay, not too far from the great Marcus Mosiah Garvey’s home. We got up early the morning and met up with the crew Videographer – Jermaine Watson and assistants, Joel Younsang and Kirk Eveans. It was just really refreshing to get back into the groove of filming and being able to express the sentiment of the song and the lyrical content of which is so relevant to the times that we are in. I am very pleased with the outcome of the video and honestly look forward to sharing it with the world. Being able to film in the birthplace of the great prophet, Marcus Mosiah Garvey was very sentimental, and touching on many levels both spiritually and culturally. Just being by the river that he visited often to meditate…..everything that I do in Jamaica is always a joy and a blessing which is special to me because it keeps me grounded, and makes me feel like I am working for a purpose.”

Press reviews to ‘United State of Mind’ CD launch

 

The release of ‘United State of Mind’ on CD has generated some great reviews in the national press – “a surprising success” say the Scottish Daily Express. There has been a similarly passionate response from music writers and bloggers – some highlights below:

Music-News:
“From the very start there is a soulful groove with the title track kicking off with some gorgeous strings, a gentle funk to the song’s groove and Priest’s beautifully sweet vocals. Trower’s wahwah lines are subtle and the song grabs you right from the off. It continues with ‘Are We Just People’ which has the feel of a ‘Superfly’ era Curtis Mayfield: emotional, gentle and buoyed up by deliciously produced strings. In fact, the whole album has the essential elements of classic era soul – picking up a bit of Marvin Gaye here or Phillysoul there – but it stands brilliantly in the modern day and I really can’t remember an album I enjoyed listening to as much in ages.

My personal favourite track is ‘Walking Wounded’ with a great vocal from Maxi Priest. The number is harrowing and dark, the strings just bringing the mood lower and lower and Trower delivering an absolutely agonizing solo. Hard to listen to but absolutely wonderful too. This should be on everyone’s player this year – it is a simply fabulous recording.”  Andy Snipper 5/5


Devilsgate Media:
“Nine-tracks of blissed-out, soulful music that whisks the listener away to a place where everything is alright, alright, alright. In places, it’s Marvin Gaye, Curtis Mayfield, or Bobby Womack performing with a bad-ass guitarist alongside them. You could even trick someone into believing that the opening moments of the lush title track feature Paul Rodgers on vocals. The guitar work from Trower is gorgeous, a wonderful exercise in restraint that every budding guitarist should be made to study. His playing is warm and rich, and when the wah-wah starts to cry (‘Are We Just People’), it’s truly sublime. Often dictated by Livingstone Brown’s sweet bass licks (‘On Fire Like Zsa Zsa’ should have bass merchants purring with delight), the pace of the album is so laidback that it glides rather than walks. After a few spins of moments such as the aforementioned ‘Are We Just People’, ‘Walking Wounded’ (just shading it as the standout track of the nine featured), the atmospheric horns on ‘Hands To The Sky’ (which comes complete with a lyrical tip-of-the-hat to Marvin Gaye), the beautiful string arrangements on ‘Bring It All Back To You’, and the throbbing, pulsing feel of ‘Good Day’, the listener should be cured of all that ails them.

A beautiful, harmonious album that is just what the Dr. ordered to help navigate these uncertain waters.”


Red Guitar Music:
“Livingstone Brown is the glue that holds USM together utilising his bass and keyboard skills alongside his duties as the producer on as soulful a record as you’re likely to hear this year.
Robin Trower’s effortless, languid playing is an object lesson in less-is-more. Guitarists who feel the need to play a million notes a second would do well to check out Trower whose unhurried approach (occasionally you’re almost wondering when the next note will arrive) perfectly fits in with the feel the trio are aiming for. It’s far from a one-man show though as all three members of USM pull their weight and then some; Priest sounds great, Brown’s bass playing is tight as a drum and the horn and string arrangements add to the songs rather than distract from them. Fans of classic 70s soul and blues acts will find much to enjoy here, so my advice is crack open a bottle, light a candle, dim the lights and go with the flow.”


We Bleed Music Media:
“This album and group came together through mutual respect for each other’s talents, and they have not only crafted here an incredible piece of work but an album that is destined to be a classic.”


Geoff Wilbur Music:
“This is a smooth, relaxed R&B album with good, old-fashioned, big, rich, lush production, but still very song and artist-focused, able to appeal to a broad musical audience. So put the headphones on, sit back, relax, and let your ears enjoy.”